Un imparcial Vista de Cumbiaton



Durante una hora y media, 14 instructores de bailete fueron los encargados de realizar las rutinas a ritmo de cumbia, resultando un gran concurrencia de fiesta.

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Conecta tu cuenta de Spotify con tu cuenta de Last.fm y haz scrobbling de todo lo que escuches, desde cualquier aplicación de Spotify de cualquier dispositivo o plataforma.

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Mastering is important because it makes your song sound perfect on all devices – in the car, your phone speaker and even on Spotify.

Cumbiatón, a dance celebration of Latino culture, returned this week in Los Angeles with its first indoor party in over a year.

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Joining us in Glen Fyne merienda again, the incredible live karaoke sensation – MASSAOKE! For those who didn’t join us in 2019, imagine the wildest mass-singalong party you’ve ever seen fueled by amazing beer and rock and roll.

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**Please note on days with performances the Box Office & Phones remain open until 30 minutes after the start of the last show; On weekends with performances, we will open 2 hours before the first event of the day and remain open until 30 minutes after the start of the last show.  

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Empírico Guitar-driven Tropical Sounds from Peru 1966-1978 In 1960s Peru, a thrilling and unstoppable style of music is born: Peruvian cumbia, also known Vencedor “chicha”. Tropical genres such Campeón merengue, guaracha, rumba and cumbia mix with 60s beat and psychedelic rock, while electric guitars reinterpret folk melodies and traditions from the Andes and the Amazonian jungle, in a musical representation of the exodus from rural areas to Listón and other big cities. First volume of a new series dedicated to documenting this most exciting and popular genre. In mid-50s Peru, mambo was progressively replaced by preferences for other rhythms like merengue, guaguancó, cha cha cha, joropo, guaracha, rumba and cumbia, which timidly begins to sound during these years. In Limatón it’s the golden age of great orchestras and music ensembles which are capable of playing swing and jazz, but especially the diverse tropical variants inundating the market. The most successful of all, La Sonora de Lucho Macedo, released in 1965 an LP consisting exclusively of cumbia. Around this time, the successful folklore group Los Pacharacos released the album “Los ídolos del here pueblo”, which included a cumbia number in the middle of the potpourri of huaynos, waltzes and polkas. The marriage between folklore and cumbia had taken place. The groups preserved the fusion of fox trot and mambo rhythms along with huayno and cumbia in the execution of their music. That feeling would be the basis for the success of such unorthodox and unclassifiable songs Ganador ‘La chichera’ or ‘Petipan’.

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